2009-2010 Benaroya Concert Series

 Illsley Ball Nordstrom Recital Hall
Benaroya Hall, 3rd and Union, downtown Seattle


The Society presents two major concert series each year, the SCGS International Guitar Saturday Series at Benaroya Hall, downtown Seattle and the ('free at the') Frye Museum Concerts. Artists and dates are just below.

Tickets (individual and series) for the Benaroya series can be purchased at Rosewood Guitar, 206-297-8788. Single event tickets are $30 ($24 for SCGS members) and 4-concert series are $95 ($80 for members); 3-concert seres are $80 ($65 for members). Send check or money order to SCGS, Box 31256, Seattle WA 98103-1256.



2009-2010 Benaroya Concert Series

Kazuhito Yamashita: Saturday October 3, 2009,7.30pm

Michael Partington: Saturday November 21, 2009, 7.30 PM

Göran Sollscher: Saturday January 23, 2010, 7.30 PM

David Russell, Saturday April 24, 2010, 7:30 PM




Kazuhito Yamashita
Saturday, October 3, 2009, 7.30 pm

"...a glorious display of tonal and dynamics ranges that are rarely heard from one guitar." -The Globe and Mail, Toronto

The Seattle Classic Guitar Society is thrilled to present one of the world's finest virtuoso guitarists, Kazuhito Yamshita, in the opening concert of the season's International Series. His dazzling technique and powerful expression has received accolades throughout the musical world, including the prestigious Deutsche Grammophon Award.

His impressive list of almost 80 recordings and numerous original arrangements, such as Musorgsy's Pictures at an Exhibition and Dvorak's New World Symphony, are legendary within guitar circles. Kazuhito Yamashita's recordings include the complete works of Fernando Sor, and a collection of this own transcriptions of J.S. Bach's Sonatas and Partitas originally for violin, cello, lute and flute. He is an enthusiastic proponent of new works for the guitar and has given the world premier of more than 60 new compositions throughout the world. In this regard, his world premier and presentation of the works by Japanese composer Keiko Fujiie is particularly notable.



Return to top

Michael Partington
Saturday, November 21, 2009, 7.30 pm

"There is much praise that one can offer a performer such as Partington, but he best understood as one of those artists who possess a magic combination of a fluid technique married with a wealth of musicianship." --Grammophone

Award-winning British guitarist Mihael Partington has performed internationally as a soloist and with various ensembles to unanimous critical praise. He has appeared throughout the USA, UK, Canada, Russia and Scandanavia. He has performed live on BBC Radio, National Public Radio in the US, KUOW, KING FM, KZAZ, and KAOS in Washingotn, and on cable television in California, Montan and Washington.

An adovocate of new music, he has commissioned and premiered works by Stephen Goss, Bryan Johanson, Toshio Hosokawa, Angeol Gilardino, Tom Baker, Kevin Callahan and others. He is a frequent performer and teacher at festivals, including the Guitar Foundation of America Festial, Llantilio Crosseny Festival Portland Guita festival, Northwest Guitar Festial, Shenandoah Valley Bach Festival, Cascadia Festival and Chelan Bach Fest. His recordings are available on Rosewood Recordings, Present Sounds and Cadenza Music labels. Michael Partington currently lives in Seattle, where he is director of the Guitar Program at University of Washington.



Return to top

Göran Sollscher
Saturday, January 23, 2010, 7.30 pm
"...an artist of world class, by any standard, whose playing will certainly impress anyone." - Grammophone

Göran Sollscher embarked on an international career after winning the first prize at the Concours International de Guitare in Paris, in 1978. He has since toured throughout Europe, North and South America, Chia and Japan, giving recitals as well as performing as soloist with numerous orchestras. His repertoire is exceptionally wide-rangin from Renaissance music to well-known standard concertos for guitar and orchestra, to contemporary music.

As a Deutshe Grammophon recording artis, Göran Sollscher has made eleven solo recordings, which include the complete lute works of J.S. Bach. In 1990, Deutsche Grammophon released his recording of threemajor works for guitar and orchestra by Rodrigo and Villa-Lobos. His recording with violinist Gil Shaham, Paganini for Two,was listed among the ten best selling classical albums int eh USA (May 1994, Billboard Magazine) and he has also released recordings featuring the music of the Beatles and works by Astor Piazolla. Göran Solscher currently holds Sweden's sole guitar professorship at the Royal Conservatory in Stockholm.




Return to top


David Russell
Saturday, April 24, 2010 7.30pm

"David Russell fulfilled all expectations of this deserved fame…an undoubted artistic mastery of the instrument in combination with precise playing, virtuosity, elegance and faithful interpretations -Granna (Cuba)

David Russell is a Seattle favorite and Grammy Award winner for is CD, Aire Latino, in the category of best instrumental soloist in classical music. During his studies at the Royal Academy, Mr. Russell twice won the Julian Bream Guitar Prize. Later he won numerous international competitions, including the Andres Segovia Competition, the Jose Ramirez Competition and Spain's prestigious Francisco Tarrega Competition. Since then he has toured the world, appearing regularly at prestigious halls in major cities, such as New York, London, Tokyo, Los Angeles, Madrid, Toronto and Rome. He is world renowned for his superb musicianship and inspired artistry, having earned the highest praise from audiences and critics alike. In recognition of his great talent and his international career, he was named Fellow of the Royal Academy of Music in London in 1997. Since 1995 David Russell has an exclusive recording contract with Telarc international, with whom he has recorded twelve CDs up to now, among them Aire Latino.

All concerts are at Benaroya Illsley Ball Nordstrom Recital Hall.




Return to top

Tickets may be purchased by mail, sending check or money order made out to SCGS, to
SCGS, PO Box 31256, Seattle, WA 98103-1256
Or for information and advance tickets contact the Rosewood Guitar, 206-297-8788.



Since the inauguration of Seattle's new concert hall in 1999 (read in Seattle Weekly) or see excerpt reproduced below, the 540-seat Nordstrom (should we say Nord-strum?) Recital Hall adjacent to the great symphony hall has earned a reputation as an acoustically perfect venue for string instruments. You can sit in the back row and hear the nuances of the classical guitar without straining. Many feel that electronically amplified acoustic guitars played in larger halls are less clear, warm, personal and inviting.




Visit earlier Benaroya series, 2001-2, 2002-3, 2003-4, 2004-5, 2005-6. 2006-7. 2007-8. 2008-9.


"The Seattle Classic Guitar Society's series of recitals at Benaroya Hall is one of the great, relatively undiscovered delights of Seattle's classical-music season. The performers are top-notch, and the venue, Benaroya's Nordstrom Recital Hall, has acoustics that are matched perfectly to the intimate demands of the guitar." The Seattle Times, November 2000

 

The Seattle Classic Guitar Society is supported in part by grants from the Office of Arts and Cultural Affairs, and the King County Arts Commission




Excerpt from
Seattle Weekly at the dedication of the 'new' Benaroya Hall in 1999:



Seattle's big Ben: Benaroya Hall rings in a new classical era
By Gavin Borchert
September 9, 1998

Don't worry, that sparkly new $118.1 million toy box across from the post office, with its two halls (seating 2,502 and 541) and Chihuly in the foyer, is not going to go empty. The Seattle Symphony is sharing its new home with more than a dozen other classical groups, plus pop concerts, comedy, a lecture series, and the Boeing Loaned Executive Annual Meeting (BLEAM).

For some, the move's a step up. The Opera House wasn't ideal for the Seattle Youth Symphony any more than it was for the SSO, so they're following the adults downtown. The Seattle Men's Chorus, formerly of Meany Hall, is moving to off-campus housing, and the Northwest Chamber Orchestra has similarly bid farewell to the University of Washington's Kane Hall, acoustically acceptable but uncomfortable and utilitarian (OK, ugly). They're moving pretty much their whole outfit to Benaroya, with extra chamber and orchestral concerts at the Seattle Asian Art Museum and the Kirkland Performance Center across the lake, itself just newborn.

Not everyone is leaving behind a mediocre space. The Seattle Chamber Players seemed quite comfortable at Green Lake United Methodist Church, which combines fine sound with a charmingly intimate, living-roomy atmosphere that was perfect for making accessible the contemporary works they favor—but they're off to Benaroya as well. A lot of groups are doing the splits, with one foot in the new space but hanging onto the old. The Early Music Guild has put its highest-profile recitals into Benaroya, but will present other concerts at First United Methodist and St. Mark's as usual. The Seattle Choral Company is testing the waters, with one concert each in Benaroya and the KPC.

It's good for a music group to have its own special place—whatever its faults, Kane did feel like home turf for the NWCO—and we'll see if the rest of these revolving-door weekend guests can settle into Benaroya as cozily as the SSO surely will. On the other hand, benefits for everyone include higher visibility and easier access (some of those churches are tricky to find). I'll also be watching to see if over the next few seasons the programming of these tenants grows slightly blander under the pressure of having to fill all those expensive seats. The last thing any city needs is another multimillion-dollar mausoleum for the European mainstream.

GAVIN BORCHERT
Return to home page.
Return to top